Italian 1455-1526 Vittore Carpaccio Locations His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.   Related Paintings of Vittore Carpaccio :. | Warriors and Orientals | Christ on the Mount of Olives | vision of st.augustine | The Meditation on the Passion | The Dream of St Ursula |
Related Artists:
Gioacchino Toma
Italian , Galatina 1836 - Napoli 1891 Italian painter. He was orphaned at the age of six and spent an unhappy childhood and adolescence in convents and poorhouses; these experiences would later provide subjects for his paintings. He was first taught drawing at the art school in the hospice for the poor in the Adriatic town of Giovinazzo, but in 1855 he moved to Naples, where he worked for an ornamental painter named Alessandro Fergola. In 1857 he was mistakenly arrested for conspiracy and exiled to Piedimonte d'Alife, 60 km from Naples, where he was initiated into the secret society of the Carbonari by some local liberal aristocrats who also became his first patrons. His paintings for them were mainly still-lifes, largely in the traditional Neapolitan style. On his return to Naples in 1858 he became a student at the Accademia di Belle Arti, attending the classes of Domenico Morelli, who influenced such early works as Erminia (1859; Naples, Pal. Reale). Toma fought for two years with Garibaldi in the campaign for the unification of Italy, then returned to painting,
FALCONE, Aniello
Italian painter, Naples school (b. 1607, Napoli, d. 1656, Napoli). Italian painter and draughtsman. He trained briefly with Jusepe de Ribera, the Caravaggesque Spanish painter. He quickly won fame as a specialist in scenes of battle, and his contemporaries nicknamed him the 'oracle' of this genre. Falcone created the 'battle scene without a hero' (Saxl): he showed the battle as a brutal, confused struggle between anonymous troops, without heroes, without defeats and without particular historical incidents. The Battle between Turks and Christians (1621; Paris, Louvre; see fig.) is one of the earliest. The frieze-like composition is elaborately structured, yet the picture is rich in intensely naturalistic, vividly coloured details of armour and weapons and precisely observed expressions of anger and pain. The famous dealer and collector Gaspar Roomer and other Neapolitan collectors commissioned many battle pictures from him, and these were soon introduced throughout Europe. He was especially favoured by Ferrante Spinelli, Prince of Tarsia, who gave Falcone a residence in his palace after 1651.
THULDEN, Theodor van
Flemish Baroque Era Painter, 1606-1669